Qingpingle made the mistake of Know No again, but they all won here.

Special feature of 1905 film network Last night, after the 20th episode of Qingpingle aired, the score of Douban dropped from 8.2 to 7.8.

　

Where was this 0.4 point deducted? Looking at the online evaluation, many netizens said that "the pace is too slow".

　

"Slow" has become the label of director Kaizhou Zhang.

　

　

Especially in Qingpingle, there will be a long-term intensive dialogue in each scene, and the dialogue content is mixed with literature and white, which tests the patience of the audience. The first two episodes tell little about the plot, but only about the background of the characters and events. Compared with the familiar court drama in the past, Qingpingle is really not cool enough.

　

With the improvement of the follow-up plot, the number of opponents in the court has gradually increased, and a large number of explanations of names and systems have gradually appeared. At the same time, all kinds of rules and regulations, eating and wearing habits of the Song Dynasty are frequently interspersed in the drama, and the information content of this drama has become larger for a time.

　

Ouyang Xiu, Fan Zhongyan, Yan Shu and other "reciting celestial groups" appeared one after another.

　

As a person who has recently finished the dramas such as I am Yu Huanshui and the sideburns are not begonia red, Xiao Dianjun’s attitude towards Qingpingle is even more special. When watching the previous dramas, I was eager to catch up with them in one breath. Only this drama was willing to enter it and slowly taste the exquisite service. Just like Song Renzong and the Queen tasting wine in the play, the taste will naturally "run out" without binge drinking.

　　

What is the most memorable place in Qingpingle?

　

The drama series is adapted from lady Milan’s novel Lonely City, and the author also participated in the writing of the script. The biggest change this time is that the hero changed from eunuch Liang Huaiji to emperor Song Renzong.

　

In the original work, the eunuch listened to all directions and wandered around the imperial harem, from which he spied out the ups and downs of various figures inside and outside the palace, thus showing the emotional entanglement of the imperial harem and the power of the imperial monarch and his subjects.

　

Now, after the protagonist changes, the expectation value has not been weakened, but it has added a few points of visibility.

　

During Song Renzong’s reign, he was called "the flourishing age of Renzong", so it can be seen that the ambition of Qingpingle lies in creating an era.

　

Compared with other dynasties, most people know little about the history of Song Dynasty, let alone Song Renzong himself.

　

But around him, there are many stories familiar to the audience, such as the protagonist of "Civet cats for princes". At the same time, he was also the longest-serving emperor in the Song Dynasty. Although there were no major incidents during the 41 years, he was the favorite emperor of the Northern Song Dynasty.

　

Most of the literati who once dominated our student days by reciting the full text came from Song Renzong’s dynasties: Fan Zhongyan, Ouyang Xiu, Yan Shu, Sima Guang, Wang Anshi, Su Shi, Su Zhe and Cheng Hao. Therefore, such a drama with a strong sense of history is also very fastidious about the pictures presented.

　

Director Kaizhou Zhang is a photographer, so his plays pay more attention to the aesthetic feeling of the lens, and are famous for their textured scenery, costumes and props. Last year’s "Do you know if it should be green, fat, red and thin" was exactly the case.

In this play, all these advantages have been retained one by one.

　

The costumes in "Qingpingle" are all restored in strict accordance with some picture books in the Song Dynasty.

　

Song Renzong court robes, is wearing a red robe, wearing a Liang Guan; The robe is the queen’s dress for attending the court meeting, receiving books, paying homage and other large-scale affairs. It is woven with dark blue material and bird pattern, and the collar and sleeves are edged with dragon pattern.

　

In terms of the costumes of officials in the court, there is a scene of "Great Court Meeting" in the play, in which everyone wears uniform court clothes and Liang Guan. Although the clothing styles are basically the same, only the crown and ribbon are used to distinguish the levels. Not only that, the etiquette of the Song Dynasty obeys the historical classics.

　

　

In addition to serving the Tao, the lines of this drama are also very particular. They are no longer "minions" and "me" that are common in Qing Palace dramas, but are replaced by "official family" and "big empress", which are commonly used in Song Dynasty.

　

Nowadays, costume drama is becoming more and more exquisite, and the audience’s aesthetics are getting higher and higher. Therefore, the requirements for costume drama are no longer limited to the plot, but more attention is paid to whether the story and characters can show the beauty of traditional culture. If the sales are flat, it may be difficult for Yan Kong’s young audience to pay the bill.

"National Wind+"has become a new trend

Nowadays, this kind of works with both humanistic connotation and contemporary style has formed a trend. From Empresses in the Palace’s nirvana in fire to this year’s Qingpingle, the sideburns are not begonia red, which are all good examples. In the process of communication, these film and television works make young audiences examine the classic culture with modern eyes.

　

They use exquisite service to revitalize historical and cultural resources and make traditional cultural elements active in the video. It is therefore popular at home and abroad.

　

In fact, these dramas, whether it’s the Qing Dynasty drama, the Machiavellian drama in the overhead era or the Xianxia drama, although they don’t take a certain traditional art as the theme, their aesthetic attainments in architecture, clothing, ornaments and props are higher than those of similar dramas, which has formed the current wave of "national style" and set off the aesthetic recognition of the audience.

　

"Guofeng+"film and television seems to have become the standard of the current costume drama.

　

In fact, this is not difficult to understand. When we look closely at the present society, it is more and more common to see people wearing Hanfu out of the street. However, the post-90 s and post-00 s net students have a deeper desire and demand for culture through the Internet and other channels. As a result, the "national wind" once became the out-of-circle element of bilibili and Station A..

"Guofeng" is out of the circle on the video platform

　

In 2011, after the popularity of Empresses in the Palace, the audience frequently discussed Chinese medicine, and even many people dug out ancient books and found the basis in the play. Last year’s hit drama The Untamed, although it was an overhead era, reacted by integrating the costume styles of different dynasties in China, focusing on the adaptation of artistic conception and characters, and even each tribute implied different meanings.

　

At the same time, pan-entertainment works such as "National Treasure" frequently cause topics among the new generation of audiences. This circle effect has made creators discover the "high demand" of young people at present.

　

In terms of movies, the restoration of the charm of the late Tang Dynasty in China has been recognized by the public. It can be seen that the use of "national style" is itself an open behavior, but it is also a "high demand" action.

　

As for the use of the national style, it has made many viewers curious about the bureaucratic salary and class relations in the Ming Dynasty. However, the sequel to the film has also shaped Chongzhen into a two-faced role, breaking the image of the emperor in everyone’s past cognition, but it has caused a lot of controversy.

　

Therefore, in the content survival, the creators rely on China’s excellent traditional culture to find an aesthetic fulcrum in contact with the spirit of the times, which has become the driving force of the current film and television works. Of course, we must also realize that "national style" is only an added value. Only by telling good stories can the audience really explore the mystery spontaneously and have more opportunities for others to pay attention to it.